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Jill Enfield
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Alan Greene
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Christopher James
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Mike Ware
(amazon.com.uk only)
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Randall Webb
(amazon.com.uk only)
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John Barnier
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Randall Webb and Martin H. Reed
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Dan Welden and Pauline Muir
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Dan Burkholder
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James Luciana and Judith Watts
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Todd Damiano
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Dick Arentz
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William, Crawford
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Richard Farber
-
Historic Photographic Processes:
A Guide to Creating Handmade Photographic Images
A fresh, comprehensive guide to alternative processes, including salted paper,
albumen, bromoil, cyanotype, gum bichromate, kallitype, platinum/palladium, carbon,
and carbro. Also covered are several rare and new processes including the argyrotype,
ziatype, and Ware POP platinum process. Farber includes detailed information about
safety, chemicals, resources, and relevant Internet sites.
Allworth, New York, 1998. 288 pp., 8x10¨
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John P. Schaefer
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Kathleen Thormod Carr
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- Innovation/Imagination: 50 Years of Polaroid Photography
by Deborah Klochko
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Theresa Airey
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Creative Photo Printmaking
This comprehensive guide to alternative processes is a great starting point for
such techniques as infrared film, selective bleaching and toning, printing from
slides, liquid emulsions, photocopy transfers, solarization, printing on wood,
glass, and artists papers, handcoloring, Polaroid transfers, and more.
Amphoto, New York, 1997. 160 pp., 8-3/4x10-3/4".
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Robert Hirsch
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Laura Blacklow
-
New Dimensions in Photo Imaging: A Step-by-Step Manual
This is the second edition of Blacklow's acclaimed text. With step-by-step
illustrations of each process, the book offers detailed, easy-to-follow explanations
of processes that may be unfamiliar to most photographers. The primary emphasis of
the book is not merely technical--it inspires photographers to develop the tools
to explore their own creativity. Many photographers will be pleased to find detailed
descriptions of Polaroid and other transfer processes, as well as unique
printing processes such as Van Dyke and gum bichromate. An invaluable resource.
Focal Press, Boston, 1995. 164 pp., 8-1/2x11"
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Bea Nettles
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Barbara Hewitt
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Karl Koenig
-
Gumoil Photographic Printing
This book describes the unique process of gum-oil printing, a new technique
similar to many of the historic alternative processes. Allowing the photographer
extensive control over the image, this process combines oil pigments and gum
prints on watercolor paper. The text provides a wealth of detail including
chapters on proper image selection, paper selection and preparation, exposure,
and much more. Written by Karl Koenig, contributor to Darkroom and Creative
Camera magazine and creator of this exciting new process, this is the only
book available on this topic. Focal Press, Stoneham, 1994. 144 pp., 6x9".
2nd revised edition
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David Scopick
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The Gum Bichromate Book : Non-Silver Methods for Photographic Printmaking
This is the second edition of the definitive book on gum bichromate printing. The text has been
written in contemporary terms and there is a 15-step method presented for achieving success with
this process. A must for those interested in exploring the possibilities of non-silver photographic
processes. Focal Press, Stoneham, MA, 1991. 176 pp., 7x10"
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Eric Renner
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Jim Shull
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Anita Chernewski
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Adam Fuss
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Joseph Paduano
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Laurie White
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Dick Stevens
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McDermott & McGough
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McDermott & McGough: A History of Photography
by David McDermott, Peter McGough, Mark Alice Durant
By employing a wide range of historical photographic processes,
including gum-bichromate, cyanotype, platinum palladium, and salt printing,
McDermott & McGough have created an art out of pining for the days of the Victorian
dandy and the artistic dilettante. Arena Editions., Santa Fe, 1998. 144 pp., 9-1/2x12¨.
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Gary P. Kolb
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Photogravure: A Process Handbook
Gravure printing is one of the most beautiful of all photo-reproduction processes.
Unlike the dot-screen methods employed by offset lithography, the gravure process
layers the ink on the page to create different tones. Though complex, the process
can be undertaken by an individual with patience. In this step-by-step guide,
Kolb details the process and makes it easily understandable to the beginner.
This is the first comprehensive manual on the subject in 95 years and as such is
a valuable contribution to the medium. Southern Illinois University Press,
Carbondale, 1986. 188 pp., 8x10".
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Luis Nadeau
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